MY SCHOOL 7
The Return of Kevin

Script: Bryan Jenner

Direction: Lafe Travis

Producer: Lafe Travis

Based on the "My School" series & characters devised by Lafe Travis

(c) MCMXC Bryan Jenner.

Dramatis Personae:

Eugene..............the Doom Bear (voice only), bear puppet

Carol...............the heroine of the story

Carl................Carol's boyfriend

William.............time traveller (brain of group)

Colin...............time traveller (party animal of group)

Peter...............time traveller (dunce of group)

Kevin...............the demented killer who travels forward in time ¦

The Sensor..........a crusader against evil

Mr. Skorman.........the deranged guidance counsellor

Sophie..............student who visits guidance office, later killed¦

Diabetic............a diabetic who gets a needle in his skull

Coe K. Kola.........pop drinker who gets killed

Pep C. Kola.........pop drinker who gets killed

P.C. Smoketoomuch...police officer who is quickly killed

Mr. Lambert.........principal of the school, another victim

Gene Quard..........the school's local drag queen, gets killed

Tire Inflater.......guy who has a flat in school parking lot

William-zombie......ghost of William the time traveller

Peter-zombie........ghost of Peter the time traveller

Colin-zombie........ghost of Colin the time traveller

Bonnie..............picnicker who likes chicken

Matthew.............picnicker who likes chicken

2 more picnickers...picnickers who also like chicken

P.C. Mousebender....police officer who is shot

P.C. Snapper........police officer who is shot

Frazer, Ian.........two baseball players

OPENING GRAPHICS

BARS AND TONE

COPYRIGHT WARNING

SLATE

COUNTDOWN

VIOLENCE WARNING

20th CENTURY FOX FANFARE

LT FILMS LOGO

LAFE TRAVIS FILM/BRYAN JENNER TITLE

Psychedelic Skull Effect/Transforming Into Doom Bear

My School 7 - The Return Of Kevin (Main Title)

CREDITS

In a dark attic or basement, amongst discarded boxes.

Camera slowly approaches something amongst the boxes. It is the Doom

Bear, Eugene. Slowly, a greenish blob forms around Eugene's body and

he slowly vanishes. Overdub of a sadistic chuckle. (ie the Master)

Eugene (whispers evilly) - The moment has arrived for my revenge.

William (pleased) - At last. We can now travel in a limited linear path through the space/time continuum.

Peter (stupidly) - Does that mean Professor Newman will give us an A?

Colin (buds in) - Think about it, man! We can take a trip to the future! Never have a lottery ticket wrong again! We can be rich. Who cares what Newman thinks?

William (enthusiastic) - Exactly. We can go to the future and win our fortunes, or go to the past to

invest in key industries.

Colin - Let's do it! Let's go now!

William (hesitant) - I think we should test it first.

Colin - This'll be the test run. Send Peter. No one'll miss him anyway.

Peter - Let's try it. That's why we made it.

William - Okay. Put these on. He hands his two friends each a remote control-type gadget. They hold on and William presses the coordinates on the computer. William - I've set the temporal exacerbator to send us back to 1890. We will spend half an hour, then return. Set?

Both Peter and Colin nod. William presses the switch and they disappear in a blaze of colour and special effects. After vanishing, an unknown figure taps on the keyboard 1-9-8-2-.

Carol and Carl on swings. They gaze at each other admiringly.

Carol (swooningly) - Oh Carl, this truly is a special moment.

She moves to kiss him. He falls off swing. He looks up, flustered.

Carol (smiling sweetly) - So, you have fallen for me...

Carl - I have to clean this dirt off.

He goes towards a water fountain. Carol starts to admire herself in a mirror. She sees Kevin in the reflection and screams. She turns. It is only Carl.

Carl (sheepishly) - Dropped my wallet when I fell.

He picks it up and returns to the fountain. She lets out a sigh.

Carl is using water to clean himself. He sees Kevin's reflection in the water. He turns, but no one is there. Suddenly, a knife comes towards the camera. Scene ends with a shot of Carl's horrified face.

She looks at her watch, impatiently.

Carol - What's taking him?

She gets up and walks away. Next shot, she approaches the fountain and sees Carl slumped over it.

Carol - More marine biology experiments, Carl? Why d'ya think I bought a waterbed?

No response from Carl. Carol lifts his head and sees a terrible gash in his neck. Blood dominates the fountain. She shrieks, and turns to run away. She bumps into Kevin, who is revealed in a full frame shot, standing impassively with a bloodied knife. He lunges towards the camera. Carol runs away. Kevin walks after her.

Rocking Chair. First shot is of it unmoving. Suddenly it begins to rock back and forth by itself. A green glow forms, and Eugene appears in the chair. Another sadistic chuckle.

A POV shot with greenish soft circle in middle of frame. It shows the camera chasing after Carol in a graveyard. Return to a shot of Eugene in the chair.

Eugene - My powers are stronger than ever. The secrets of the Eternal Fire have been enhanced by Virgil's demise. Even now, I can affect those I do not yet possess...

Carol stumbles and trips from stone to stone as she flees from the camera (normal POV). A shot of Kevin far behind, searching. Carol hides behind a gravestone. She looks left and right and assumes she is safe. She lets out a sigh of relief. Suddenly, a hand grabs her forehead and pulls it back into the gravestone. A sound of crushing bone. She drops dead, with blood and brain oozing out of her and smearing on the gravestone. As she drops, Eugene laughs.

A quick cut to her awakening in fear in bed. Eugene's laugh overlaps into the first three seconds of her awakening. She breathes heavy and wipes the sweat from her brow.

Carol (to herself, panic) - It can't be! It's not possible!

She gets out of bed.

Carol - That was too close to reality. I fear something horrible has spawned this catharsis of evil. I must arrest it.

The three boys appear in a hallway of the High School.

Peter (ecstatic) - Wow! Was that ever neat. Hey, this doesn't look like 1890! Where are the cowboys?

William (looks at watch) - My chronometer has adjusted to the shift in the interstitial aether. It says we're in 1982. Something must've malfunctioned and shifted us 92 years.

Colin (worried) - This ain't going to be like that Michael J. Fox movie, is it?

William (smiles) - Of course not. School's out. No one should be here. What could possibly go wrong?

Peter (frightened) - Yes, but will we be able to return?

William (confident) - Certainly. The temporal exacerbator acts as a homing device. Come on - let's explore!

They begin to stroll through the hallways. As they do, a human shadow emerges behind them, implying the three are being watched.

Eugene (hysterical) - She has more empathy than I thought. She senses what is to be. She must be destroyed before she suspects too much.

A superimposed image of Eugene leaves his body and floats towards Carol's house.

Eugene (pleased) - Soon, very soon, my plans for Carol's destruction will be fulfilled...

She is reading a book entitled "Psychology Now" (or something similar). She puts it down as the doorbell rings.

Carol (opening door) - Carl! Come on in. I'm glad you could make it so soon.

Carl (smiling, walks in) - You sounded frightened. What's wrong?

They sit down. She pours him a cup of coffee. He sees the book.

Carl (picks it up) - What's this? Since when have you been reading this stuff? You seein' a shrink?

Carol smiles nervously.

Carl (colder, more upset) - Not again!

Carol (pleading) - I can't help it! I don't know why I have these nightmares. It's like one of those stupid movies!

(As she refers to "those stupid movies", have her checking her fingernails.)

Carl stands up, coffee in hand. He turns away.

Carl - They say dreams are symbolic. Why do I always die in them?

Carol - They can be prophetic, too.

Carl - Are you ever killed in them?

Carol (meekly, embarrassed) - I was. Once.

Carl turns to face her. He is wearing Kevin's mask. The coffee is now bubbling and steaming violently.

Carl (snarling) - Then it's time to verify your premonition!

He advances on her slowly. He backs her against a fireplace. Slowly, his left hand grips her throat as his right raises and tilts the coffee ever teasingly to spill on her face.

Carl (sadistic) - You seem a little on edge my dear. What's the matter - too much caffeine?

The coffee is about to spill over (extreme closeup of this).

Carol grabs a fireplace stoker and lifts it up and between Carl's legs.

Carol (equally sadistic) - You always said you had a rod of steel.

Carol punches him in the face. He goes flying back, the mask comes flying off too. A quick cut showing the coffee cup flying in the air. Carl lands on the floor. The coffee cup lands on his face and spills there. He screams horribly as the coffee (now revealed as acid) mutilates his face. Red, green, yellow and blue slime comes oozing out. Carl screams in pain.

Carol (rubbing throat) - Good to the last drop.

Suddenly, no mask, and Carl is normal. He looks around in confusion at what he is doing on the floor.

Carol looks up at someone. Carl, seeing this, looks up too.

The Sensor (voice only) - I arrived just in time.

Shot of a mature woman wearing black. She is holding a crucifix.

The Sensor - I have come to help you. And to put an end to the evil we have all released.

The Sensor looks up at the far upper corner of the room. From there, we catch a glimpse of Eugene flying away.

Mr. Skorman is behind a paper-stacked desk and acting fidgety and on edge. He is twiddling a pencil and looking anxiously at his watch.

On his desk is H.G. Wells' The Time Machine. Sophie knocks and enters.

Mr. Skorman (scowling) - Yes? What do you want this time?

Sophie (pleasantly) - Mr. Skorman, I need your advice. My timetable for the coming term is in disarray.

Mr. Skorman (to himself) - I know what you mean. (aloud) - Look, I'm really quite busy with matters other than your trivial concerns. Here, have some Rorschach tests and leave me alone.

He hands Sophie some dot-filled papers. She takes them hesitantly, then nervously walks to the door. She turns around to challenge Mr. Skorman who resumes his twiddling.

Sophie (firmly) - I never thought guidance counsellors were so tetchy and impatient. Maybe you're the one who needs the couch trip!

Mr. Skorman (spastic/loud) - I SAID GET OUT!

He hurls some books at the door. Sophie ducks and leaves, slamming   the door behind her. He rubs his temples and grabs fists full of hair. He looks into the mirror.

(NOTE - THIS SCENE MUST BE DONE EXACTLY LIKE THE MASTER'S SIMILAR SOLILOQUY IN SURVIVAL)

Mr. Skorman (Shakespearean) - They never leave me. Always they pester me. Not enough discipline. Useless apes -- why don't they do anything on their own? No initiative. Initiative is despised by the jealous, the weak. Redundant cretins! But soon, very soon, I will be free of them! I WILL BE FREE OF THEM! How much longer? If I am to be a guidance counsellor, then like a guidance counsellor I shall hunt them down--hmm hmm--oh, yes I shall. Hunt them. Trap them. And destroy them!

Turns to camera and laughs hysterically.

Starting in a hallway outside the gym.

Colin - I wanna check out the gym.

Peter - We have to return soon.

William - That was an arbitrary assertion on my behalf. We can return whenever we desire. You two can go to the gym; I'm going to investigate the library. I think I had an overdue book two years from now. Meet me there in one hour.

They split up.

A shot of William entering the library.

Colin and Peter approach the gym. Another shot of a shadow behind them. Suddenly, a squeaking door sound is heard.

Peter (frightened) - Was that you?

Colin (tough and thick) - No, just the air conditioning. Quit fussing. I wanna pump some iron. They head to the barbells and weights.

A hand shuts off the lights.

Peter (whimpers in fear) - Eeek! Who was that, the power company?

Colin (lifts a barbell) - Just William playin' around. Go knock him out, eh?

Peter heads to light switch, obviously less tense.

Peter (jovially) - Can't do that. He knows how to get us home.

Peter looks into the hallway where the light switch is.

No one there. A shot of the empty hallway.

Peter (meekly) - William? Stop teasing you big boob!

A shot of feet approaching. A shot of Peter's back, as he looks the other way for William. Camera rapidly closes in on Peter's back. Suddenly, he turns around in terror. It is only Colin.

Colin (gruffly) - What's the matter, ya wimp? I told ya, there's no one here. Come in and help me benchpress some weights.

Colin turns around to head back to the gym. A quick shot of a weight lifting bar being swung at the camera. The bar hits Colin's head and decapitates him. A shot of a head rolling down the hallway. A shot of a headless body fountaining blood everywhere as it falls to the ground.

Peter (gasps in horror) - Holy Ichabod Crane!

Peter turns to run away. Low angle camera starts at the figure's feet and slowly pans up to show Kevin, masked, holding the bar and staring after his prey. Slowly he walks after Peter.

Kevin - I love to kill animals. The thrill of the hunt...in my school...

Carol and Carl confront The Sensor.

Carol (incredulous) - You have sensed my recent turmoil.

The Sensor - That is what brought me to you.

Carl (jokingly) - Funny, I would've though the Red Cross would have come here first.

Suddenly, the Sensor stumbles slightly and puts a hand to her head. She sits down slowly in a chair. Carl and Carol glance at each other.

Carol (worried) - Are you alright? Should we take you to hospital?

The Sensor (wearily) - It is happening. We must act. What is happening--what will happen--affects not only you, but me too. Please, we must hurry.

Carl (challenging) - You seem to know who we are, yet we don't know anything about you.

The Sensor - I am a crusader. Against injustice. Against evil. Against the torturing of souls.

Carl (flippantly) - So who ya gonna call?

Carol (gives dirty look) - These problems of mine are... incredible...supernatural...

The Sensor - In good time, my child. Come! We've a mission of grave danger, and ultimate reward. We must challenge the Demon in haste!

The Sensor heads out. Carol starts to follow but Carl restrains her.

Carl - I'm thirsty. You got any more coffee?

Carol just looks at him and heads after the Sensor. Carl puts his hand on her shoulder to restrain her.

Carl (angrily) - Do you trust her?

Carol (impatiently) - Yes! Now come on!

Eugene in his chair.

Eugene (in panic) - Kevin! Kevin! You must fulfil your destiny. Destroy the humans and deliver yourself to me. She has come. She will abolish me! Kevin, you must attend me! All has been prepared!

Green Wipe effect, showing what is happening in 1982.

Peter is being pursued. As he runs down the hallway, he occasionally looks behind himself in panic. He turns a corner and runs into an exit doorway. He tries it. It is locked. He hears breathing behind him and slowly turns, a glum look on his face.

Peter (meekly) - Who-who are you, man?

Kevin (advancing slowly) - I am Kevin.

He grabs Peter's neck and presses his face close to Peter's.

Kevin (an evil whisper) - I kill people!

Peter gurgles in agony as Kevin slowly presses his thumb into Peter's neck. Blood dribbles out. Kevin clenches his hand into a fist and punches Peter's gut. His hand goes through Peter's back, with intestines spraying out. Kevin's hand holds some organs in it.

Eugene's voice resonates into Kevin's head.

Eugene (Doom Bear-ish) - Excellent, Kevin, You have given me the strength to counterattack our enemies. Eradicate the last one, and return to me.

Kevin (obediently) - I obey.

Inside car with the Sensor, Carl and Carol. Carol drives. The Sensor reacts noticeably, and becomes weaker. She displays signs of trying to fight a heart attack or disease. Sweat on her forehead.

Carl (anxiously) - Are you okay?

The Sensor (weak, but firm) - We must get to Virgil Pembury's house. That is where we can identify the psycho-malevolent resonances I need to locate my enemy.

Carol - Who is this enemy you keep speaking of? Is he the man in my dreams?

Carl places a wet towel on the Sensor's forehead.

The Sensor - It is difficult for your primitive minds to grasp. A killer so heinous, so profane, that he embodies the very source of all Evil. He was slain six years ago, but he is about to return to the present.

Carol (matter-of-fact) - Kevin Markson.

Carl (bewildered) - The guy who massacred half that school?

The Sensor (nodding) - His father delved heavily into black magic. He taught his son the powers of hatred and iniquity. And more.

The Sensor twitches and closes her eyes.

Carl - What else? Tell us! What's happening?

Carol - I have Pembury's address. I think we should get there as soon as possible.

The car turns a corner and drives on.

Inside the school library, William is reading Dr. Who Monthly #56.

William (excitedly) - Adric dies in a time travel explosion! Excellent! And Tegan leaves. Darn it.

William looks up as he hears a door creaking open. Nothing there.

Sound of footsteps. Suddenly an arrow impales a bookshelf just beside William's head. He turns to address the camera.

William (to camera) - Overdue fines are getting more severe all the time!

He feels the arrow, then turns to his unseen attacker.

William - Colin, Peter, this isn't very funny. You could have seriously hurt me!

Through the bookshelf, a figure can be seen moving. William walks over to where it was. No one there.

William - I'm glad you guys came back. The hour's almost up.

Suddenly, a noose fits around William's neck. Kevin appears impassively, holding the noose like a leash.

William (choking) - You maniac! Release me!

Kevin (nasty) - Sorry, guy. No noose is good news.

Kevin drags William out of the library, as William struggles from choking to death. Next shot of Kevin tying the rope to the bannister overlooking the stairway. A shot of William taking the time control  gadget from his pocket. Kevin hurls his body over the bannister to hang him. A quick shot of William pressing the gadget. Colour blinds the screen in a sudden flash. Next shot is of a noose dangling limply with no one in it. Kevin is not there either.

Inside the car, the Sensor suddenly lurches forward, her eyes wide. Just as quickly, she collapses.

Carol - We're at Pembury's. Let's get her in quickly.

The School. It is 1990. Same stairwell. A blaze of colour, and suddenly William lands on the floor underneath where the noose should be. Kevin is at top of stairwell, completing the motion of hurling the rope over. He looks around, confused, then checks his wrist. He is wearing one of the time gadgets that Peter/Colin had.

Eugene suddenly materialises nearby. He fires a beam of green energy from his mind that envelopes William. Helpless, William cannot move out of the energy barrier.

Eugene - Quickly, Kevin, exterminate him!

Kevin has a machete, which he brandishes threateningly. William looks on in horror as Kevin comes up and slices his throat. The usual blood pours down all over.

Kevin (looks at Eugene) - 1982 was a massacre at my school. 1990 hasn't seen the worst of it.

Eugene - They have arrived at Virgil's house. You must hide me, then hunt and kill all who reside in our school.

Kevin picks up Eugene and they walk down the hall.

In the room with the time machine computer seen earlier,  a figure is standing over the video monitor.

It says: "Two Travellers Returned. Warning - Traveller 3 Replaced Time Continuum Stable. Unit Awaiting Further Instructions."

Mr. Skorman turns to camera and smiles, then rubs his hands in glee.

Mr. Skorman - Excellent! My plan has worked! After this day, those depraved vermin will beg me for an after-school detention!

He laughs in joyful satisfaction, takes a bite out of an apple, then leaves the room.

Carol and Carl help the Sensor into the house. A sign reads "Condemned - Police Quarantine Zone". Carl notices that the door is locked and he has to kick it open. They help the Sensor inside.

Cobwebs and dust permeate the doorway and inside. Blankets cover all the furniture. They place the Sensor down on a couch.

Carl (concerned) - That last seizure was the worst yet. What is afflicting her?

Carol (shakes her head) - I dunno. What's so special about this Virgil Pembury guy's house?

The Sensor mutters and sputters and motions them to come over.

Carl (kneels closer) - What is it? Can you explain?

The Sensor (laboured) - I have little time. Pay attention closely...I'm going to feed my thoughts directly into your minds...

(AS THE SENSOR EXPLAINS, SHOW KEY SCENES FROM PARTS IV, V, & VI WHILE SHE DOES A VOICE-OVER.)

- Kevin Markson terrorised his school in the early 1980's. He murdered dozens of people and schoolmates, yet nothing was ever proven. Any eyewitnesses there were soon slain. Kevin was eventually destroyed by the ghosts of his victims. His body vanished into the pits of Hell. His spirit became lodged in a normal children's teddy bear. Virgil Pembury discovered it in 1985, and became slave to its will. It possessed him and manoeuvred him into slaying people in his neighbourhood. Finally, he committed suicide to rid himself of the Doom Bear's evil. That is why we are here. This was Virgil's home, hence it was home to Kevin. Kevin, who was the bear. An Unholy Trinity. Virgil may be no more, but Kevin is very much with us.

The Sensor breaks contact, and looks deathly tired.

Carol - I still don't understand how this affects myself and my nightmares?

The Sensor (tired) - Don't you see? Kevin exists in two different time planes. Pre-1984 and today, as the Doom Bear. The Doom Bear is all Kevin's evil strength, but compressed in a smaller body.

Carol (still confused) - Yes, but why me?

Carl - You're not related to the Marksons?

Carol shakes her head. They look at the Sensor, now asleep.

Carl - She knows why but we still don't understand what her role in this is. Maybe we should look around this house for clues...

They get up and walk away, leaving the Sensor.

Kevin stands in front of locker 666, holding Eugene.

Kevin - Is this where you wish to rest Master?

Eugene - This will suffice. Deposit me in this sanctuary, then kill everyone in the School. The more you kill, the greater the power I attain. Soon, I, your future body, shall become eternal! The power of Death makes me strong! Now go -- annihilate all who still survive in my school.

Kevin - Funny. That's just what I was thinking.

Kevin locks the locker and heads to a nearby fountain. He does his usual water fountain comedy act.

Kevin - I'm tired of this liquid. I want something thicker than water. Blood!

Carol and Carl are looking around amongst boxes (The same as in Scene 1). Carl finds Virgil's old mask.

Carl (excited) - Hey, check this out! Not only is it gruesome, but there's old blood stains inside of it.

Carol - We'll show this to the Sensor. Maybe it will help her in her quest to find Kevin.

They race up the basement stairs.

Kevin's POV (with no hand twitching to left of frame) glides down a hallway for eight seconds. Sees someone doing something behind a locker door.

A shot of a diabetic drawing insulin from some bottles. Kevin is out of focus but advancing in background. Diabetic turns and looks up at someone (Kevin). Diabetic is wearing a shirt that reads "HELP PREVENT AIDS. DON'T SHARE DIRTY NEEDLES"

Diabetic (drops bottles) - It's...it's Kevin! Noooo!

Camera rapid zooms on Diabetic's neck as two hands grab at his neck. Sound of crushing bone (eggs). Third person POV of Diabetic slumping to floor. Kevin takes the needle and drives it into Diabetic's skull. He pulls plunger and fills needle with blood and grey matter. Needle is quickly filled and he takes it and aims it into his mouth and drinks it all.

Kevin (to camera) - Type O Positive. My favourite.

Carol and Carl have woken the Sensor.

Carol (eager and enthused) - Look what we found! Was this Virgil Pembury's?

The Sensor (weakly) - My pocket...Get...the vial...

Carl looks doubtfully at Carol, then proceeds to find the vial in the Sensor's coat pocket. He hands the vial to the Sensor.

Carol (horrified) - What is in there? What are you doing?

The Sensor simply smiles. She opens the vial and out spills two blue pills. She swallows them, closes her eyes, then suddenly bolts up, all strength restored. She eyes her two partners.

The Sensor (takes command) - We haven't time to lose. We must pick up the trail.

Carol (astonished) - What did you just consume? They gave you your strength back. Why didn't you eat them earlier?

The Sensor (embarrassed) - Life savers. Death givers. From where I come, these vitamin tablets are a source of last resort. They maximise my strength and protect my mind from the Doom Bear's negative energy. Every time Kevin kills, the Doom Bear energises and I weaken. The vitamins counteract that effect.

Carl (suspiciously) - Why are they death givers?

The Sensor (stern/serious) - They overextend my life force. I only have eight hours to live and hunt down the Doom Bear. We must act presently.

Carl and Carol gasp in astonishment and exchange glances. The Sensor eyes Virgil Pembury's mask, seemingly for the first time. She grabs it and begins to pace aggressively across the floor.

(AS SHE SPEAKS, YOU MAY HAVE TWO OR THREE SCENES FROM PARTS V and VI SHOWING THE MASK TO BEST EFFECT.)

The Sensor - Don't worry about me; I'm a professional martyr. This mask is Virgil's death mask. He wore it when committing his disgusting atrocities. I am registering an aura, very faint, but there nevertheless.

Carol - You mean you can detect the same force that's causing my nightmares?

The Sensor - To a degree. Virgil too had nightmares of a similar nature to yours, and for comparable reasons. Yours have a separate distinction to them I can not as yet impart.

She stares at the mask, then quickly runs out of the room, followed by Carol and Carl.

The Sensor - The aura has fed me images of Kevin's lair. We must get there -- fast!

The School. Kevin is hiding in a corner, scheming.

Kevin (silently) - I still need more refreshment. Something like that!

A student steps up to soft drink machine. A friend waits nearby. The pop buyer puts some change in the machine, and a soda pop comes out. Kevin is suddenly behind them. He grabs the can from the machine.

Pep C. Kola (angrily) - Hey man, party's over. Give that back.

Kevin (nonplussed) - Do you know what time it is?

Coe K. Kola (jesting) - I know. Howdy Doody time, right?

Kevin takes the pop can and rams it into Coe K. Kola's forehead. It penetrates halfway in, with blood all over Coe's face. Coe screams in pain and drops.

Kevin (sneering) - Wrong. It's "Killer Time".

Kevin grabs Pep and smashes his head into one of the pop selection buttons. Cut-away shot of another can of pop dropping down. Pep grunts and pushes Kevin away.

Pep C. Kola (scared) - You're Kevin! But you're dead...!

Kevin (amused) - No. I think you have the honours!

Pep C. Kola (backing up) - No honours here, man. I flunked all my courses. Heh heh heh.

Kevin takes his handy machete and throws it at Pep. Pep takes it in the stomach and begins to bleed profusely. A look of wide-eyed disbelief crosses his face.

Pep C. Kola (philosophical) - If I'd known...I was going to die... today...I wouldn't have done my... homework last night...

Kevin takes the second can of pop and opens it. He stands over the two dead friends and raises a toast.

Kevin - This blood's for you.

He begins to drink.

A quick shot of Carol's car driving on a road. (5 secs)

Kevin again. He has finished his pop.

Kevin - I'm feeling stronger all the time. But still I hunger. Time for some lunch...

Mr. Skorman, a police officer, and the school principal are gazing at William's corpse.

P.C. Smoketoomuch - The body has not been touched?

Mr. Lambert - No. I made sure no one was allowed access to this stairwell. This is-- was--young William Davison. He had a bright future ahead of him.

Mr. Skorman suddenly laughs, but tries to conceal it.

P.C. Smoketoomuch - Something amusing in this tragedy Mr. Skorman?

Mr. Skorman (overjoyed) - It's just that he was scheduled for a guidance appointment tomorrow morning. I guess now I have time for a game of racquetball.

Mr. Skorman walks off. P.C. Smoketoomuch calls to him.

P.C. Smoketoomuch - I would advise you to remain on these premises until you have been fully questioned. Do not mention this affair to anyone.

Mr. Skorman carries on walking away. As he does, he talks to himself as the camera faces him and retreats as he advances.

Mr. Skorman (merry) - Kevin has arrived. This is proof my plan has succeeded. Soon, very soon, my life will be made a lot easier!

Kevin leaves a School exit and heads onto the parking lot. There, he sees someone inflating the flat tire of his car.

A shot of the guy using the tire pump as Kevin advances (out of focus) in the background. Next shot of him putting the tire cap on.

Return to first shot, with no one in background. Tire Inflater gets up and is grabbed.

Kevin forces Tire Inflater to rest on his back on the hood of his car. Kevin shoves the end of the tire pump into Tire Inflater's mouth and holds it there with one hand while he begins to pump with the other. Tire Inflater's head inflates like a balloon and explodes. Buckets of blood and pieces of brain and eyeballs land with a thump on hood of car.

Kevin (with relish) - Seatbelts didn't save him.

He grabs a hammer and screwdriver from T.I.'s tool kit and walks off towards a Kentucky Fried Chicken store.

Carol's car pulls up in front of Kevin's house. The three dash out and race up to the door. Carl is about to burst in, but is restrained by the Sensor.

The Sensor (ominously) - Careful, Carl. I sense that we may not be as unhindered as we were in Virgil's house. We must tread with caution, with steady heart and sightful mind.

Carl nods and tries the doorknob.

SCENE 32b - INT - KEVIN'S HOUSE

Surprisingly, the door is unlocked, and they step carefully inside. Carol and Carl immediately clench their noses and wince with pain at the smell. The Sensor carries forth unaffected by the odor.

Carol (offended) - That smell. It's awful!

Carl - Oh Carol, did you fart?

The Sensor (business-like) - The parlour of Mephistopheles is as malodorous as it is grotesque. Remember, clear sight and clear mind. We will be baited into an illusion of calm, but the storm of Hell remains a monsoon of death.

Carl notices some fresh blood dripping from the middle of the wall. The others come to see.

Carl (seriously comic) - I think it's time for our raincoats and umbrellas.

A blanket is tugged overtop William's corpse and he is hauled off by some paramedics. P.C. Smoketoomuch and Mr. Lambert are conversing near the stairs.

Mr. Lambert - School is scheduled to open in three weeks. This will be a serious setback. I don't even know who would do such a thing!

P.C. Smoketoomuch - I've called in my team to scour this school. All the exits have been locked from both sides, so whoever did this won't get far. You say there is just a skeleton staff working?

When "skeleton staff" is said, show Lambert wincing.

Mr. Lambert - You have carte blanche to conduct your investigation as you see fit. My staff will cooperate in any manner you ask.

P.C. Smoketoomuch nods to a pack of his men.

P.C. Smoketoomuch - Begin the reconnaissance.

The men break up and begin their work.

Still staring at the blood.

The Sensor (plainly) - This house is a possession of Kevin's family. It is bound to be affected as well, and in ways we can never imagine. We must search for answers here. You two take the basement. I will start with the attic. Call if you find anything.

Carl and Carol head away from the Sensor. The Sensor makes sure they've gone and dashes up the stairs.

SCENE 34b - INT - KEVIN'S HOUSE, ATTIC

Next shot from within the attic, showing the Sensor stepping in. (For this shot, the camera should be rocking from the POV of a rocking chair.) The Sensor sets her eyes on the chair.

The Sensor (elated) - Eureka! (becomes moody) - Why am I so pleased? It's like I found my tomb.

The Sensor reaches to the chair to stop its rocking. As he is about to touch it, a loud knock sounds. The Sensor jumps.

Carl (voice only) - Hello! Didn't find anything? What's up here?

The Sensor (irritated) - You shouldn't be in the attic. Where's Carol?

Carl (nonchalantly) - In the kitchen. Nothing's happenin'.

Suddenly, Carol's screams are heard from the kitchen. The Sensor dashes past Carl and looks down the stairwell.

The Sensor (concerned) - Carol? Carol!

The Sensor turns to Carl.

The Sensor (frantic) - Come on!

Carl is not there. The attic is empty. The Sensor's eyes widen in panic, then she is running down the stairs.

Next shot, she is in the kitchen. Stops suddenly, looks terrified.

Carol and Carl have their backs against a wall. Advancing on them are three hideously deformed mutated ghost-like zombies of William, Peter and Colin. A purplish aura surrounds them, giving them a non-solid appearance. They are stiff-limbed but radiate strength. On their foreheads are upside down crosses carved into their skin.

The Sensor grabs her crucifix and closes her eyes in concentration.

The Sensor (powerfully) - Back Demons! Away from this world! Return thee to thy pits of eternal damnation! BEGONE!

The ghosts turn to face the Sensor and slowly advance on her (the camera). A shot of the Sensor. Shot of the ghosts closer. ECU of the Sensor mumbling some incantation. Suddenly the ghosts disappear simultaneously. Next shot is a head shot of the Sensor.

Suddenly, three pairs of hands reach for her throat. Camera pulls back slightly to show the ghosts behind her, strangling her. The Sensor coughs and sputters and sinks to her knees. Still she holds the cross.

Carol gets up and runs over and takes the cross from the Sensor. Viciously, she stabs the crucifix into the forehead upside down cross on Colin-zombie's head. Orange goo seeps out, he screeches, then in a flash of light vanishes. She turns and challenges Peter-zombie and does the same. Next she faces William-zombie. William-zombie steps back and laughs sinisterly. He does the RC cross thing backwards and vanishes willingly. Carol goes to see if the Sensor is alright. She helps her up.

Carol (relieved) - They've gone. What were they?

The Sensor (breathes hard) - Ghosts. Goblins conjured up by Kevin to protect his lair. We are duelling the enemy in its own nest. How's Carl?

Carol looks over and gasps. Carl is on the floor trying to fight off invisible hands pressing on his throat. He seems to be losing.

Carol rushes over and stabs with the crucifix. No effect. She thrusts again, hits something, but is tossed backwards. Up she gets and jabs one last time. A screech is heard and orange goo seeps on the crucifix as it sits there in the air. Suddenly, William-zombie's form materialises, and the crucifix is buried in his forehead in the upside down cross image. He screeches some more, then too vanishes. Carol looks ill as she sees the orange goo on her hands and cross.

Carol (disgustedly) - I'm going to be sick.

The Sensor (gravely) - You'll feel a lot worse before this day's out.

Carol (helping Carl) - We've won the fight, but can we win the war?

The Sensor (preaching) - It is not a battle of victory and defeat. It is a maintenance of perfect balance, and we must return to the trenches.

Carl smiles at Carol, kisses her cheek, and they follow the Sensor back upstairs.

Kevin sees people eating at a park near store.

Eugene (voice only) - Those vermin are former schoolmates. They graduated long after you were denied that right. You should destroy them for their insolence!

Kevin (agreeing) - They shall die. Hurting, killing, maiming, destroy...these are things that I enjoy!

Kevin advances on the laughing, gay little party. A handful of people are eating Kentucky Fried Chicken. A ghetto blaster is there, playing "Kill or be Killed" by Twisted Sister. The stereo is behind the party, beside a tree. Suddenly, the music stops.

Bonnie (upset) - The batteries must be dead. I'll go fix it.

Bonnie goes to the tree. She checks the stereo, then turns to her group.

Bonnie - Anyone got any Duracell?

She gets no answer. She turns back to the stereo. IT IS NOT THERE.

Bonnie (muttering) - Practical jokers. I'll kill whoever took it.

She crawls to other side of tree where radio is. Suddenly, she is thrown against the tree. Kevin advances. In his hand is a hammer and spike. She protests in vain. Kevin drives the spike through her into the tree. Usual blood. A midshot showing her hanging there, nailed to tree.

Kevin (pleased) - This should stump the authorities!

Suddenly, Matthew comes by.

Matthew (unknowingly) - Bonnie, where are you? We wanna listen to the new Slayer album.

A fist comes flying to the camera. Next shot, Matthew is down for the count. He is still conscious, but is thrown against the tree beside Bonnie's corpse. Kevin viciously stabs him three times with the screwdriver. Last blow is through the eye, pinning him against the tree as well.

Kevin (more pleased) - Tree for two.

The two surviving picnickers sit there still eating and drinking pop. All of a sudden, the ghetto blaster comes sailing through the air and smacks one in the head. He lets off a grunt and falls unconscious. The other stands up and speaks to the camera.

Picnicker (pleading) - Hey, what's your problem?

Camera is Kevin's POV. It slowly advances on the retreating guy.

Kevin (voice only) - You will all be from myyyy school!

Picnicker (more scared) - You can transfer somewhere else.

Camera rapidly lunges at the guy. As it does, Kevin says:

Kevin - Then you wouldn't be a victim. And I want you to die!

The guy has now stumbled onto his back. Kevin steps on his shoulder and pulls the guy's arm off with his hands. A nice shot of blood fountaining out of the shoulder and dripping from end of arm. The guy screams in pain and dies.

Kevin takes the arm to the picnic area and sits down. He sprinkles salt on the arm, a bit of ketchup, then begins to bite into the arm.

Kevin (licks his lips) - Kevin Fried Chicken. Poultry in motion!

END CREDITS

All the cast and crew are given credit. Various pieces of music from the soundtrack are played.